9 April 2013
If you’ve been paying attention to publishing news, you’ve undoubtedly heard about the new platform that Barnes and Noble trotted out today. Nook Press is their latest attempt to move ahead of Amazon.com’s Kindle Desktop Publishing. At first glance it looks like it’s got a lot of features that might appeal to individual writers.
22 October 2012
(with help from Nick Podehl)
For those of you who haven’t been paying attention, Patrick Rothfuss’s two novels The Name of the Wind and The Wise Man’s Fear are masterpieces of storytelling. The characters are complex and richly developed, the writing is lyrical and meticulously crafted, and the plot is engaging. This is one of the best stories that I have read. Rothfuss’s writing is clever, and thoughtful… and even when not a lot is happening, I am drawn along because I care about the characters.
So when I had the opportunity to check out the audiobook from our incredible Seattle Public Library, I took it even though I had already read the book. I wanted to read it again anyway.
I got hooked on audiobooks when I was commuting to a day job, and had to spend 30 minutes in the car each morning and again at night. An intriguing audiobook would make otherwise dull and frustrating time pass quickly. I cannot recommend them enough… especially if you can get them from the library. Audiobooks are relatively expensive because the publisher has to pay the voice actor(s), sound engineer, and producer. A long novel can be upwards of 40 hours long, which adds a substantial cost to production above what the author gets. And yet, I would say that the experience of a well-produced and expertly-narrated audiobook is worth the money.30 January 2012
There’s an old joke among publishers. Question: “How do you make a small fortune in publishing?” Answer: “Start with a large fortune.”
We didn’t have a large fortune when we launched Per Aspera back in 2003. We started with time and determination, but not much else. We funded our lives and our nascent press on credit cards and the belief that what we were doing was worthwhile. We wanted to publish books that were overlooked by traditional publishing for one reason or another, and prove that they could succeed both artistically and commercially.